Cinderella Is Dead by Kalynn Bayron
It is so refreshing to read a really original plot–even one that is based entirely around one of the oldest and most beloved fairy tales–that I cannot say enough incredible things about this story. At the same time, it is so out-of-the-ordinary and handles uncommon plot threads in a seamless, no-big-thing kind of way.
In this fictional kingdom, the Cinderella fairy tale is practically their religion. Blind allegiance to the king is required, the subjugation of women is even more prevalent. Every household must own and memorize the Bible, of sort–a pristine, palace-approved version of Cinderella. Worse, every household must send its daughter at age 16 to the ball to be selected by the men of the kingdom.
Failure to do so means death.
So what is a 16-year-old girl to do if she has no interest in marriage–and if her girlfriend refuses to run away with her?
What makes this story so intriguing is not the LGBTQ elements, the women’s rights issues, or even the fact that men’s clothing has pockets and women’s clothing does not (I’ll admit, I laughed out loud when a character explains her preference for men’s clothing simply by stating, “It has pockets.”), but that we see an entirely different telling of Cinderella. What if everything we know about the original story is a lie that was put forth by the palace to control the subjects? And what if the only one who can help the main character is a fairy godmother who’s done terrible things, and who should have died 200 years ago?
This is one of those rare treats that actually does make you stay up all night to see what happens. It dealt with “sensitive” subjects and offered incredible opportunities for much-needed representation. It was just a winner all the way around!